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Frank Serpico is a young, inexperienced cop who starts out on patrol. Later, he starts to work as an undercover cop who busts all sorts of criminals, but mostly drug dealers and pushers. Since Serpico is a young man living in the 70’s, he lives as one. His image, based on how others look on him, shows him as just a ‘hippie’ and the criminals he busts have no idea he is really an undercover officer. Everything is working out well, except the money situation. Serpico refuses to accept money, as the other officers do. He feels this isn’t right, and wants to expose the situation. Who he thought were his friends now turn into his enemies when Serpico takes the stand on a grand jury investigation. He continues to work undercover, and his life is placed into jeopardy at the hands of his colleagues.

Sent from the city to investigate the murder of a teenage girl in a small Alaska town, a police detective (Pacino) accidentally shoots his own partner while trying to apprehend a suspect. Instead of admitting his guilt, the detective is given an unexpected alibi, but this “solution” only multiplies the emotional complexity and guilt over his partner’s death. He’s also still got a murder to solve, in addition to the blackmail and framing of an innocent bystander being orchestrated by the man they were chasing. There’s also a local detective (Swank) who is conducting her own personal investigation… of his partner’s death. Will it all come crashing down on him?

The nature of temptation. Banks is a hit man, the best, usually working for Latin American drug cartels. He picks up solitary women, uses them briefly for a job, then kills them. He’s in the Southwest, headed toward Mexico, when he picks up Bennie, a woman leaving an abusive marriage, going to Paradise, Arizona. The film follows three tracks: Banks’s slow recruitment of Bennie, the set-up for the hit at a swank resort in Mexico, and the FBI’s close pursuit of Banks, whom they want alive in hopes he’ll rat out his bosses. Bennie may not be who she seems, and there may be a chink in Banks’s tough-guy armor. Guns, money, and a chance at Paradise…

Carlito Brigante is released from jail after serving five years of a much longer stretch. He vows to go straight and to live life as a fine, upstanding citizen. He even rekindles a romance with his ex-lover. However, Carlito’s associates cannot seem to leave him in peace…his nephew involves him a pool-room gunfight, his lawyer asks him for “favours” which spiral out of control, and even an old friend (now a wheelchair bound paraplegic) tries to get him into trouble with the law. Carlito decides to make a run for Florida and the promise of a new life, but has one final dramatic escape to make from some hoods who believe (wrongly) that he was behind the murder of their boss.

Sam Bowden is a small-town corporate attorney/”Leave It to Beaver”-esque family-man. Max Cady is a tattooed, cigar-smoking, bible-quoting, psychotic rapist. What do they have in common? Fourteen years, ago Sam was a public defender assigned to Max Cady’s rape trial, and he made a serious error: he hid a document from his illiterate client that could have gotten him acquitted. Now, the cagey, bibliophile Cady has been released, and he intends to teach Sam Bowden and his family a thing or two about loss.

Ricardo Tubbs (Jamie Foxx) is urbane and dead smart. He lives with Bronx-born Intel analyst Trudy (Naomie Harris), as they work undercover transporting drug loads into South Florida to identify a group responsible for three murders. Sonny Crockett (Colin Farrell) [to the untrained eye, his presentation may seem unorthodox, but procedurally, he is sound] is charismatic and flirtatious until - while undercover working with the supplier of the South Florida group - he gets romantically entangled with Isabella (Gong Li), the Chinese-Cuban wife of an arms and drugs trafficker. The best undercover identity is oneself with the volume turned up and restraint unplugged. The intensity of the case pushes Crockett and Tubbs out onto the edge where identity and fabrication become blurred, where cop and player become one - especially for Crockett in his romance with Isabella and for Tubbs in the provocation of an assault on those he loves.

Washington DC detective Dr. Alex Cross travels to North Carolina to investigate the apparent kidnapping of his niece. Aided by escaped kidnapee Kate McTiernan, Cross hunts down the kidnapper, who operates under the pseudonym “Casanova”.

John Murdoch awakens alone in a strange hotel to find that he has lost his memory and is wanted for a series of brutal and bizarre murders. While trying to piece together his past, he stumbles upon a fiendish underworld controlled by a group of beings known as The Strangers who possess the ability to put people to sleep and alter the city and its inhabitants. Now Murdoch must find a way to stop them before they take control of his mind and destroy him.

After landing in the wrong place at the wrong time, Slevin (Josh Hartnett) must kill The Rabbi’s (Ben Kingsley) to scratch a $96,000 debt to The Boss (Morgan Freeman) and pay off $33,000 to The Rabbi. He can’t go to the police and he can’t leave the city. On top of all this, behind the scene’s Mr. Smith aka Mr. Goodkat (Bruce Willis) is secretly plotting to kill Slevin.

Maverick Chicago cop Eddie Jillette poses as a hit man to meet with someone in from New Orleans looking to have a job done. The result is that both the guy and Jillette’s partner wind up very dead, while a stunning blonde in on the setup disappears. He heads south to settle the score and soon finds himself being hunted, with the girl in tow and the local police anything but happy. New Orleans may never be the same again.