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Depressed housewife learns her husband was killed in a car accident the day previously, awakens the next morning to find him alive and well at home, and then awakens the next day after to a world in which he is still dead.

In this modern retelling of a classic urban legend, a mother finds herself at odds with a unremitting flight crew and her own sanity when her daughter vanishes in the middle of a flight, with only a few clues left behind. She must now challenge the boundaries of her will and her mind in her desperate search.

Scarlett is a woman who can deal with a nation at war, Atlanta burning, the Union Army carrying off everything from her beloved Tara, the carpetbaggers who arrive after the war. Scarlett is beautiful. She has vitality. But Ashley, the man she has wanted for so long, is going to marry his placid cousin, Melanie. Mammy warns Scarlett to behave herself at the party at Twelve Oaks. There is a new man there that day, the day the Civil War begins. Rhett Butler. Scarlett does not know he is in the room when she pleads with Ashley to choose her instead of Melanie.

London, 1903: four lads, three women, and J.M. Barrie in the year he writes “Peter Pan.” After one of his plays flops, Barrie meets four boys and their widowed mother in the park. During the next months, the child-like Barrie plays with the boys daily, and their imaginative games give him ideas for a play. Simultaneously, a friendship deepens with Sylvia, the lads’ mother, to the chagrin of his wife Mary, with whom he spends little time (separate bedrooms), the widow’s mother, and high society, which gossips about his attraction to the widow and to her sons. As Sylvia’s health worsens, Barrie’s ties to the boys strengthen and he must find a way to take his muse to Neverland.

The British Empire flowers; exotic India colors English imaginations. Becky Sharp, the orphaned daughter of a painter and a singer, leaves a home for girls to be a governess, armed with pluck, a keen wit, good looks, fluent French, and an eye for social advancement. Society tries its best to keep her from climbing. An episodic narrative follows her for 20 years, through marriage, Napoleonic wars, a child, loyalty to a school friend, the vicissitudes of the family whose daughters she instructed, and attention from a bored marquess who collected her father’s paintings. Honesty tempers her schemes. No aristocrat she, nor bourgeois, just spirited, intelligent, and irrepressible.

Antonio Salieri believes that Mozart’s music is divine. He wishes he was himself as good a musician as Mozart so that he can praise the Lord through composing. But he can’t understand why God favored Mozart, such a vulgar creature, to be his instrument. Salieri’s envy has made him an enemy of God whose greatness was evident in Mozart. He is set to take revenge.

Los Angeles detective Jake Gittes is hired by a woman claiming to be a Mrs. Mulwray to spy on her husband. Shortly after Gittes is hired, the real Mrs. Mulwray appears in his office threatening to sue if he doesn’t drop the case immediately. Gittes pursues the case anyway, slowly uncovering a vast conspiracy centering on water management, state and municipal corruption, land use and real estate, and involving at least one murder.

This is the story of three gentle persons: Paul Rivers (Penn) an ailing mathematician lovelessly married to an English emigré (Gainsbourg), Christina Peck, an upper-middle-class suburban housewife, happily married and mother of two little girls, and Jack Jordan (Del Toro), an ex-convict who has found in his Christian faith the strength to raise a family. They will be brought together by a terrible accident that will change their lives. By the final frame, none of them will be the same as they will learn harsh truths about love, faith, courage, desire and guilt, and how chance can change our worlds irretrievably, forever.

A fateful event leads to a job in the film business for top mixed-martial arts instructor Mike Terry. Though he refuses to participate in prize bouts, circumstances conspire to force him to consider entering such a competition.

Commander Luke Graham is selected to lead the first manned mission to Mars. Upon setting foot on the red planet, the team discovers an ancient, domelike structure which appears to be a beacon. The dome destroys the team and leaves Luc injured. The recently widowed Jim McConnell leads the rescue mission. When they arrive, they find Lke surprisingly alive, and he has spent the time alone learning the secrets of the mysterious construct. The question now becomes: do they enter the dome and answer humanity’s oldest question, perhaps risking their lives in doing so, or return to Earth with what they do know and return in force with equipment and supplies?