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A comedy-drama about best friends - one a straight woman, Abbie (Madonna), the other a gay man, Robert (Rupert Everett) - who decide to have a child together. Five years later, Abbie falls in love with a straight man and wants to move away with her and Robert’s little boy Sam, and a nasty custody battle ensues.

Frank Quinlan and Huey Driscoll, two reporters from a Chicago-based tabloid, along with Dorothy Winters, an ‘angel expert’, are asked to travel to rural Iowa to investigate a claim from an old woman that she shares her house with a real, live archangel named Michael. Upon arrival, they see that her claims are true - but Michael is not what they expected: he smokes, drinks beer, has a very active libido and has a rather colourful vocabulary. In fact, they would never believe it were it not for the two feathery wings protruding from his back. Michael agrees to travel to Chicago with the threesome, but what they don’t realise is that the journey they are about to undertake will change their lives forever.

Omens and concepts of good vs. evil have no place in Maggie O’Connor’s well-ordered, practical universe. Her life revolves around her job as a nurse at a busy New York hospital, until one rainy night, her sister Jenna abandons her newborn, autistic daughter at her home. Maggie takes the baby in, and she becomes the daughter she never had. Six years later Jenna suddenly re-appears with a mysterious new husband, Eric, and abducts Cody. Despite the fact that Maggie has no legal rights to Cody, FBI agent John Travis (Jimmy Smits), an expert in ritual homicide and occult-related crime, takes up her cause when he realizes that Cody shares the same birth date as several other recently missing children. The little girl, it soon becomes clear, is more than simply “special.” She manifests extraordinary powers that the forces of evil have waited centuries to control, and her abduction sparks a clash between the soldiers of good and evil that can only be resolved, in the end, by the strength of one small child and the love she inspires in those she touches.

London, 1903: four lads, three women, and J.M. Barrie in the year he writes “Peter Pan.” After one of his plays flops, Barrie meets four boys and their widowed mother in the park. During the next months, the child-like Barrie plays with the boys daily, and their imaginative games give him ideas for a play. Simultaneously, a friendship deepens with Sylvia, the lads’ mother, to the chagrin of his wife Mary, with whom he spends little time (separate bedrooms), the widow’s mother, and high society, which gossips about his attraction to the widow and to her sons. As Sylvia’s health worsens, Barrie’s ties to the boys strengthen and he must find a way to take his muse to Neverland.

When a man is diagnosed with terminal cancer, he takes custody of his misanthropic teenage son, for whom quality time means getting high, engaging in small-time prostitution, and avoiding his father.

A street-wise kid, Mark Sway, sees the suicide of Jerome Clifford, a prominent Louisiana lawyer, whose current client is Barry ‘The Blade’ Muldano, a Mafia hit-man. Before Jerome shoots himself, he tells Mark where the body of Senator Boyd Boyette is buried. Mark escapes, and Clifford shoots himself. Mark is found at the scene, and both the FBI and the Mafia quickly realize that Mark probably knows more than he says. Mark decides he needs a lawyer, and goes looking for one. He finds Reggie Love, who also becomes convinced that Mark knows more than he says, but Mark isn’t talking…

Harriet M. Welsch is a spy. But when Harriet’s friends find her secret notebook the tables are turned on her. Can she win her friends back and still keep on going with the spy buisness?

Tia (Kim Richards) and Tony (Ike Eisenmann) are two orphaned youngsters with extraordinary powers. Lucas Deranian (Donald Pleasence) poses as their uncle in order to get the kids into the clutches of Deranian’s megalomaniacal boss, evil millionaire Aristotle Bolt (Ray Milland), who wants to exploit them. Jason (Eddie Albert), a cynical widower, helps Tia and Tony “escape to witch mountain,” while at the same time Tia and Tony help Jason escape the pain of the loss of his wife.

Television reporter Angela Vidal (Carpenter) and her cameraman (Harris) are assigned to spend the night shift with a Los Angeles Fire Station. After a routine 911 call takes them to a small apartment building, they find police officers already on the scene in response to blood curdling screams coming from one of the apartment units. They soon learn that a woman living in the building has been infected by something unknown. After a few of the residents are viciously attacked, they try to escape with the news crew in tow, only to find that the CDC has quarantined the building. Phones, internet, televisions and cell phone access have been cut-off, and officials are not relaying information to those locked inside. When the quarantine is finally lifted, the only evidence of what took place is the news crew’s videotape.

Mr Hobbs longs for a vacation alone with his wife, away from his long commute into work and his disfunctional family. His wife longs for a family get-together. Of course the wife wins and off to the beach with the family they go.