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1n 1972, a scale of measurement was established for alien encounters. When a UFO is sighted, it is called an encounter of the first kind. When evidence is collected, it is known as an encounter of the second kind. When contact is made with extraterrestrials, it is the third kind. The next level, abduction, is the fourth kind. Modern-day, Alaska, where-mysteriously since the 1960s-a disproportionate number of the population has been reported missing every year. Despite multiple FBI investigations of the region, the truth has never been discovered. Here in this remote region, psychologist Dr. Abigail Tyler began videotaping sessions with traumatized patients and unwittingly discovered some of the most disturbing evidence of alien abduction ever documented. The Fourth Kind exposes the terrified revelations of multiple witnesses. Their accounts of being visited by alien figures all share disturbingly identical details, the validity of which is investigated throughout the film.

In Italy, the American writer Sam Dalmas (Tony Musant) witnesses an attempt of murder of the owner of an art gallery, a couple of days before his foreseen return to the United States of America. He decides to stay with his girlfriend Julia (Suzy Kendall) and help the police in the investigation, while the serial killer stalks Julia and him.

Sherry, the girlfriend of the former “Don Juan,” successful older businessman Don Johnston, ends their relationship. At around the same time, he receives an anonymous pink letter revealing to him that he has a nineteen-year-old son, but he has no clue as to who the mother might be. Don’s friend and neighbor ,Winston, an aspiring “Sherlock Holmes,” compiles a list of Don’s former girlfriends and presses a plan for a cross-country trip to meet each of them and subsequently learn the identity of the son. A reluctant and emotionless Don, armed with flowers, first visits the widow, Laura, preceded by her teenage daughter, Lolita, who affronts him by appearing naked in an asexual context in a show of emancipation at his expense. Laura herself, however, is the one person in the film who treats him humanely and as a sexual being. Then he meets the successful real estate agent Dora and her husband Ron and they have an uncomfortable dinner together, with Don as a third wheel. He next takes flowers to the office old flame Dr. Carmen, now a writer on the psychology of pets and a communicator with animals, (based on her ‘relationship’ with a deceased canine.) Her much younger secretary gives Don a markedly icy reception supposedly because of his unannounced arrival. He unapologetically imposes on Carmen’s schedule, but despite his best efforts he can not penetrate her armor. And the secretary, as an afterthought, returns the flowers. Lastly, he plies his charms with Penny, yet another example of resentment, living in the woods with a pair of younger motorcycle toughs, one of whom, on the pretense of gentlemanly concern about what he makes out to be insensitivity towards Penny, cold-cocks Don Johnston. Johnston wakes up in his car with the flowers broken. A little desperate now, he makes the brief acquaintanceship of a young, kind-hearted lady florist, Sun Green, who begins to show some inclination towards tenderness, although she finds his name, Don Johnston, impossibly quaint. Back on the street, unshaven and looking increasingly like a bum, Johnston has a brief encounter with a young male hitchhiker for whom he buys a sandwich, but then makes an awkward comment how the hiker, who has been brought up in a Fatherless setting, must think Don is his Father! This goes over about as poorly as every other attempt at expression by Johnston throughout the film. It now becomes clear that while Don’s perception of everyone from his past as blatantly neurotic is pretty accurate, Don Johnston himself, with the romantic supports of his youth withdrawn and standing lost perilously in traffic, is also himself a pretty spurious and expendable character in the eyes of the world, or at least for the moment his odyssey has brought him to that pass. Don ultimately returns home without solving the mystery but realizing that his past is lost irretrievably.

While in Wales visiting her husband James, Adèlle tries to fix her relationship with her teenager daughter Sarah. They see a weird memorial without the plate and with the name “Annwyn” marked, and the local Dafydd explains that this would be the place where people go after dying in accordance with the Welsh mythology. Later, Sarah vanishes on the beach and the daughter of the local fanatic shepherd, Ebrill, who died fifty years ago, appears in her place. Adele makes a research trying to find how to rescue her daughter from Annway.

You’ve got mail! Every time young college student Sam hears the sound of her email box a nightmare begins. Driven by terrifying hallucinations and with no one to trust Sam finds herself on the verge of insanity. Confronted with a mysterious murder she tries to break the hideous circle. The truth, however, becomes even more blurred and reality, phantasms and nightmares draw her into a dark abyss…

When a big city has a mysterious outbreak of blindness, the victims are quarantined by the government in a hospital without any medical care, treatment or hygiene. Among the first people affected by the so called “white blindness” are an ophthalmologist and his reluctant health wife that has not lost her sight but stays with him to help him in the difficult moment. The place immediately crowds and a group of criminals takes the power, demanding jewels and electronics first and sex later for the limited ratio of food they control.

Eight years after his wife was brutally murdered, Alexandre Beck receives an e-mail with images of a woman who, although older, is obviously his wife. At the time of her murder, Beck was with her but he too was severely beaten and remained unconscious for several days after the incident. He approaches his father-in-law, a former senior police officer now retired, for more details about his wife’s murder but can get little additional information. It soon becomes apparent to him that he is being followed and when he is framed for murdering a friend, he goes on the run now fighting to save his own life.

John “Scottie” Ferguson is a retired San Francisco police detective who suffers from acrophobia and Madeleine is the lady who leads him to high places. A wealthy shipbuilder who is an acquaintance from college days approaches Scottie and asks him to follow his beautiful wife, Madeleine. He fears she is going insane, maybe even contemplating suicide, because she believes she is possessed by a dead ancestor. Scottie is skeptical, but agrees after he sees the beautiful Madeleine.

Zane Ziminski is fired from NASA after picking up unidentified signals from a distant location in space. His curiosity soon turn to sheer terror as he travels to Mexico, where a series of unexplained events lead him to believe that there are aliens all over the world. He gathers evidence to support this theory but will he ever have the chance to broadcast the ‘facts’ alive?

A strange cloud descends upon Klingon vessels and eradicates them with an energy bolt. The Epsilon IX space station alerts the Federation, but they too are wiped out by the entity. The starship assigned to the case is, what else, the NCC-1701. That would be the registration number for the U.S.S. Enterprise, which has been rebuilt. Thus, the entire original crew you knew from the TV show returns. Although they are prepared to face the entity, nothing will prepare them for the ride to come. The film asks the question Paul Gauguin asks in a painting bearing this name: “Where do [I] come from? What [am I]? Where [am I] going?” Trekkers, note the appearance of Will Decker, the son of Matt Decker, who killed himself in the TV episode, “The Doomsday Machine”. The film can be summed up in a single word: beautiful.